ðŸ‘Ļ‍ðŸŽĻ
āļ”āļēāļ§āļ™āđŒāđ‚āļŦāļĨāļ”āļŠāļđāļˆāļīāļšāļąāļ•āļĢ (PDF)
āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļĻāļīāļĨāļ›āļāļĢāļĢāļĄāļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒ

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August 24, 2026 – November 22, 2026
180 āļœāļĨāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°
āđāļŠāļ”āļ‡āļœāļĨāļ‡āļēāļ™ 180 āļŠāļīāđ‰āļ™
āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #1
ThailandThailand
2026
Breast Cancer Awareness

Breast Cancer Awareness

āđ€āļ—āļ„āļ™āļīāļ„: Mix Mediaâ€Ēāļ‚āļ™āļēāļ”: 50 × 40 āļ‹āļĄ.
Annette Chang
Thailand

Annette Chang

✉ïļ annettehui@hotmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Work Was Inspired By The Mammogram Image Of My Breast Cancer |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #2
AustraliaAustralia
2026
Peâ€Ķ (Pod Duang)

Peâ€Ķ (Pod Duang)

āđ€āļ—āļ„āļ™āļīāļ„: Drawing - Archival Inks On Paperâ€Ēāļ‚āļ™āļēāļ”: 78.5 × 54 āļ‹āļĄ.
Benjamin Sheppard
Australia

Benjamin Sheppard

✉ïļ ben.sheppard@rmit.edu.au

AustraliaAustralia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Using An Automatic Drawing Process, Scribbled Marks Build Like Clouds Of Thought. As An Image Of The Mind, The Resolution Of Emerging Forms Shifts And Fluctuates, Like The Attention Being Paid During The Process Of Making. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #3
AustraliaAustralia
2026
‘The Quiet Place’

‘The Quiet Place’

āđ€āļ—āļ„āļ™āļīāļ„: Watercolour, Pastelâ€Ēāļ‚āļ™āļēāļ”: 55 × 31 āļ‹āļĄ.
Deb Marshall
Australia

Deb Marshall

✉ïļ debartist@hotmail.com

AustraliaAustralia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"My Work Finds It's Beginnings In My Response To The Surroundings. I Look For Colours, Lines And/or Themes That Pique My Interest. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #4
AustraliaAustralia
2026
Black Cat

Black Cat

āđ€āļ—āļ„āļ™āļīāļ„: Oil Pastel And Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 60 āļ‹āļĄ.
Elyas Alavi
Australia

Elyas Alavi

✉ïļ elyasalavi4@gmail.com

AustraliaAustralia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Painting Is Inspired By My Time In Bangkok, The Colours, Places, People, And Emotions I Encountered. For Example, I Saw A Beautiful Black Cat In The University Backyard, Two Monks Walking Side By Side In The Street, Distant Hills, And Young Thai Young Men Full Of Hope, Energy, And Beauty. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #5
AustraliaAustralia
2026
Silence #P1

Silence #P1

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Pimpisa Tinpalit
Australia

Pimpisa Tinpalit

✉ïļ tinpalit@gmail.com

AustraliaAustralia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Series Of Silence” Explores Death Not As An End, But As A Transformative Passage. A Journey Of The Soul Toward Rebirth. Through Reflections On Emptiness, Impermanence, And The Human Experience, Each Work Invites Contemplation On Life’S Fragility And Depth. Offering Solace To Those Who Fear Death, The Series Embraces Mindfulness And Metaphysical Harmony, Revealing How Through Death, We May Come To Truly Understand And Appreciate The Beauty Of Life. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #6
AustraliaAustralia
2026
Wabi-Sabi

Wabi-Sabi

āđ€āļ—āļ„āļ™āļīāļ„: Hand Built, Rakuâ€Ēāļ‚āļ™āļēāļ”: 40 × 24 × 24 āļ‹āļĄ.
Yara Lettenbichler
Australia

Yara Lettenbichler

✉ïļ art@yaralettenbichler.com

AustraliaAustralia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Piece Explores The Chromatic Depth Of White Through The Unpredictable Nature Of Raku Firing. Using Only A White Glaze, The Reduction Process Transforms The Surface Into A Landscape Of Subtle Tonal Variations—Ranging From Soft Greys To Metallic Silvers. Color Becomes Event, Not Application. Intentional Unglazed Areas And Sculpted Details Disrupt The Surface, Creating Points Of Contrast And Tension. The Object Carries Its Making Process Visibly: Fire, Smoke, Fracture, Repair. Each Mark Is A Residue Of Decision Or Chance. The Work Is Not About Perfection, But Presence—A Record Of Material Reacting, Resisting, Revealing. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #7
polandpoland
2026
Royal Monkey Ladder

Royal Monkey Ladder

āđ€āļ—āļ„āļ™āļīāļ„: Rakuâ€Ēāļ‚āļ™āļēāļ”: 20 × 24 × 5 āļ‹āļĄ.
Nivalda AssunçÃĢo
poland

Nivalda AssunçÃĢo

✉ïļ nivaldaassuncao@gmail.com

polandpoland

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Royal Monkey Ladder Is A Raku Ceramic Sculpture Inspired By The Tropical Liana Known In Brazil As Escada De Macaco. Its Interlinked, Ladder-Like Form Symbolizes Connection, Ascent, And The Bond Between Human And Vegetal Realms. The Title Evokes Reverence For Nature As A Sovereign Force. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #8
brasilbrasil
2026
Burn Out Sprouting

Burn Out Sprouting

āđ€āļ—āļ„āļ™āļīāļ„: Ceramic - Rakuâ€Ēāļ‚āļ™āļēāļ”: 11 × 34 × 29 āļ‹āļĄ.
Viviane Diehl
brasil

Viviane Diehl

✉ïļ viviediehl@gmail.com

brasilbrasil

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Artwork Is Part Of The Series“After Fire, After Flood” That Evokes Reflections To Promote An Aesthetic And Symbolic Experience About Relations In Between The Human And Nature: The Environment Destruction And Everyday Life In The Contemporary World. In The Same Way That Forests Are In Fire, Our Soul Is Burning In The Society Of Exhaustion And Consumption. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #9
chinachina
2026
Flowing

Flowing

āđ€āļ—āļ„āļ™āļīāļ„: Ink Paintingâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Meiner Song
china

Meiner Song

✉ïļ meimeisong2004@163.com

chinachina

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Peacefulness Flows In The Natural Scenery |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #10
ThailandThailand
2026
Two Horses
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"In This Painting, The Two Horses Are Depended On Each Other, Representing The Self In Reality And Fantasy. In These Paintings, The Two Horses Show Themselves In A Transparent And Empty Space, Neither Seeing Nor Being Seen By The World. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #11
chinachina
2026
La Borsa

La Borsa

āđ€āļ—āļ„āļ™āļīāļ„: Ceramicsâ€Ēāļ‚āļ™āļēāļ”: 45 × 30 × 25 āļ‹āļĄ.
Chen Zhuoyi
china

Chen Zhuoyi

✉ïļ 13495568@qq.com

chinachina

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Bag Wraps The Air, Presenting The Curves Of The Famale Body, Implying The Indispensable And Soft Charm Of Women. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #12
chinachina
2026
Scenery2

Scenery2

āđ€āļ—āļ„āļ™āļīāļ„: Celadonâ€Ēāļ‚āļ™āļēāļ”: 35 × 18 × 16 āļ‹āļĄ.
Zhang Fei
china

Zhang Fei

✉ïļ 1477808247@qq.com

chinachina

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Work Uses Abstract Language To Express The Scenery In Life And Abstract Way.The Sketches And Inner Thoughts Are The Natural Reflections Of The Soul . |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #13
chinachina
2026
S
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Inspiration In An Old Croatian Letter Named Glagoljica |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #14
chinachina
2026
Dancing S

Dancing S

āđ€āļ—āļ„āļ™āļīāļ„: Smoked Ceramicâ€Ēāļ‚āļ™āļēāļ”: 41 × 32 × 15 āļ‹āļĄ.
Vesna Kuharić-Ternovec
china

Vesna Kuharić-Ternovec

✉ïļ v_ternovec@yahoo.com

chinachina

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Live The Life |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #15
croatiacroatia
2026
Behind The Mask
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Mixed Farming |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #16
ThailandThailand
2026
Throbbing Stillness

Throbbing Stillness

āđ€āļ—āļ„āļ™āļīāļ„: Hand Builtâ€Ēāļ‚āļ™āļēāļ”: 34 × 25 × 20 āļ‹āļĄ.
Maru Meleniou
Thailand

Maru Meleniou

✉ïļ marumeleniou@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Ceramic Vessels Inspired By The Organic Forms Found In Nature Aim To Create A Space For The Viewer’S Interpretation. Inspired By The Original Functionality Of A Vessel To Carry Emptiness My Work Aims To Contain Abstract Ideas, Thoughts And Images. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #17
greecegreece
2026
Chimera

Chimera

āđ€āļ—āļ„āļ™āļīāļ„: Hand Builtâ€Ēāļ‚āļ™āļēāļ”: 45 × 28 × 20 āļ‹āļĄ.
Mirka Drapaniotou
greece

Mirka Drapaniotou

✉ïļ mirkadrapaniotou@yahoo.gr

greecegreece

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Work I’Ve Left Here Includes Traces Of Greek Culture, And It Aims To Create A Dialogue Between Traditions, Materials, And Personal Expression. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #18
IndiaIndia
2026
Lamp Of Unity

Lamp Of Unity

āđ€āļ—āļ„āļ™āļīāļ„: Welded Ironâ€Ēāļ‚āļ™āļēāļ”: 30 × 30 × 27 āļ‹āļĄ.
Deep Manohar
India

Deep Manohar

✉ïļ deeparya7259@gmail.com

IndiaIndia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"""Lamp Of Unity"" Is A Symbolic Iron Sculpture Reflecting Peace, Cultural Harmony, And Collective Human Spirit. A One-Foot-High Iron Diya (Lamp) Stands In The Center, Encircled By Dozens Of Small (4-Inch) Human Figurines Made From Iron Plates. These Figures Represent People Of Different Origins, Cultures, And Beliefs, All United Around One Light. In Both Indian And Thai Culture, The Lamp Symbolizes Peace, Wisdom, And Spiritual Clarity. As Tensions Rise Between Thailand And Cambodia, This Sculpture Becomes A Soft Yet Firm Voice, Reminding Us That Unity Is Always Possible — And That The Light Of Understanding Can Outshine The Darkness Of Conflict. It Is Not Just A Lamp — It'S A Hopeful Reminder That Humanity, When Gathered Around A Common Light, Can Transcend All Borders. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #19
indiaindia
2026
Synchronicity-I

Synchronicity-I

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Ruchika Wason Singh
india

Ruchika Wason Singh

✉ïļ ruchikawasonsinghart@ gmail.com

indiaindia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Life Is Not Perfect. So Am I. My Work Helps Me Reflect Upon My Anxieties And Inner Conflicts Which Are Often Hard To Define. I Paint The Inner Environment, Seeking A Balance Amidst Words, Emotions And Experiences, Many Of Which Are Not In My Control. My Work Is A Process Of Searching For The Balance Within My Self And With The Outside World. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #20
indiaindia
2026
In Der Zwischen (In Between)

In Der Zwischen (In Between)

āđ€āļ—āļ„āļ™āļīāļ„: Super 8 Film In Videoâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Deny Ardianto
india

Deny Ardianto

✉ïļ denytherockies@gmail.com

indiaindia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"A Summary Of Memories Of Meetings And Farewells In 2007 At The Same Place And Time With Different Points Of View |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #21
indonesiaindonesia
2026
Sunlight On Mountain

Sunlight On Mountain

āđ€āļ—āļ„āļ™āļīāļ„: Impasto Knife Plallet Acrylicâ€Ēāļ‚āļ™āļēāļ”: 80 × 60 āļ‹āļĄ.
Emmy Go
indonesia

Emmy Go

✉ïļ go_emmy@yahoo.co.id

indonesiaindonesia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Capturing Colour N Beauty Of Nature |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #22
IndonesiaIndonesia
2026
The Life Of Rama Shinta

The Life Of Rama Shinta

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Jazuli Abdin Munib Jazuli
Indonesia

Jazuli Abdin Munib Jazuli

✉ïļ jazuliabdin@uns.ac.id

IndonesiaIndonesia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Rama Shinta Has A Life That Is A Symbol Of The Painter'S Representation Of Life, Beauty And An Epic Journey Of Love |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #23
indonesiaindonesia
2026
Who Lets The Dog Out

Who Lets The Dog Out

āđ€āļ—āļ„āļ™āļīāļ„: Glazed Ceramic, Underglazes Gold Leafs, Raku Firingâ€Ēāļ‚āļ™āļēāļ”: 25 × 20 × 20 āļ‹āļĄ.
Nani Puspasari
indonesia

Nani Puspasari

✉ïļ hello@designani.com

indonesiaindonesia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Who Lets The Dog Out Is A Ceramic Sculpture Created For An International Workshop In Thailand, Where Being In A New Environment Brought Unexpected Emotions And Quiet Reflections To The Surface. The Work Explores What Happens When We’Re Far From Home, When Routines Shift, The Usual Noise Fades, And Hidden Parts Of Ourselves Begin To Emerge. It’S Not Really About Dogs, But About The Playful And Sometimes Restless Energy That Stirs When We Loosen Control. Through Layered Forms And Textures, The Sculpture Reflects On The Invisible Rules We Carry And The Quiet Freedom That Comes From Letting Them Slip, Even Just A Little. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #24
indonesiaindonesia
2026
Siena-Bangkok-Siena

Siena-Bangkok-Siena

āđ€āļ—āļ„āļ™āļīāļ„: Mix-Techniqueâ€Ēāļ‚āļ™āļēāļ”: 100 × 120 āļ‹āļĄ.
Carlo Pizzichini
indonesia

Carlo Pizzichini

✉ïļ carlo@pizzichini.net

indonesiaindonesia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Travel Memories |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #25
koreakorea
2026
Dance In Thailand

Dance In Thailand

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Iim Ji In
korea

Iim Ji In

✉ïļ saedaum0000@naver.com

koreakorea

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Life And Dream |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #26
koreakorea
2026
Green
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Landscape |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #27
koreakorea
2026
Banana

Banana

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 50 × 100 āļ‹āļĄ.
Lee Seungmi
korea

Lee Seungmi

✉ïļ aass_c@naver.com

koreakorea

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Faith In The Image |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #28
koreakorea
2026
Ursus Thibetanus Ussuricus

Ursus Thibetanus Ussuricus

āđ€āļ—āļ„āļ™āļīāļ„: Actylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 95 × 75 āļ‹āļĄ.
Shin Eunmi
korea

Shin Eunmi

✉ïļ artist.1787600718690.36.9bsy5@pohchang.gallery

koreakorea

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"A Stuffed Animal |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #29
KurdistanKurdistan
2026
They Drew Lines In The Sky, Not Knowing We Were The Land

They Drew Lines In The Sky, Not Knowing We Were The Land

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Rushdi Anwar
Kurdistan

Rushdi Anwar

✉ïļ rushdimail@gmail.com

KurdistanKurdistan

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Work Centers On An Archival Photograph From The 1920S, Showing Three Warplanes—British, French, And German—Flying Over Kurdistan During The Colonial Partitioning Of The Middle East. These Aircraft, Once Tools Of Surveillance And Domination, Symbolize The Imperial Powers That Divided Lands From Above, Redrawing Borders With Disregard For The People Below. By Reframing This Image Through Layered Washes And Red Markers, I Expose The Violence Behind The Aerial Gaze. The Three Red Bars Beneath Mirror The Flags Of Empire, But Here They Stand As Quiet Resistance. This Painting Reflects On How Kurdistan Became A Territory Mapped And Erased By Others—A Homeland Fragmented In Flight. It Reclaims The Sky As A Space Of Memory, Not Mastery. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #30
kurdistankurdistan
2026
The Mangrove

The Mangrove

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic And Scrap Papers And Food Wrappers (From Bangkok) With Leaf Printing On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Angelina Bong
kurdistan

Angelina Bong

✉ïļ angelinabongartist@gmail.com

kurdistankurdistan

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"I Am Painting The Mangrove From Borneo Where I Come From. Thailand Also Has Mangrove. This Is Something We Have In Common. I Collected Leaves From Poh Chang Academy To Imprint Poh Chang On My Art. At The Same Time, I Collected Food Wrappers And Packaging From Bangkok Snacks And Products To Be Used As Collage On The Bottom. It Represents Seaweed And The Plants Of The Sea. I Also Want To Show The Audience That Trash Can Be Turned Into Art Or Something Purposeful, The Concept Of Repurposing. At The Same Time, Using Trash Can Show That We Have Many Trash In The Sea And We Need To Do Something About It. Thailand, Malaysia Or The World, We Have The Same Problem And We Need To Come Together To Conserve The Environment. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #31
malaysiamalaysia
2026
Aim High?

Aim High?

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Mediaâ€Ēāļ‚āļ™āļēāļ”: 60 × 90 āļ‹āļĄ.
Chen Li Li (Lee)
malaysia

Chen Li Li (Lee)

✉ïļ leedzign@gmail.com

malaysiamalaysia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"When We Point, Do We Provoke — Or Protect? Can Art Disarm More Than Weapons Can? If Creation Is A Choice, Why Do We Still Choose War? In Aiming Highâ€Ķ Are We Aiming Right? |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #32
malaysiamalaysia
2026
The Soul Of Siam

The Soul Of Siam

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Sebastian Jong
malaysia

Sebastian Jong

✉ïļ sebastianjcy@gmail.com

malaysiamalaysia

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Inspired By Wat Arun, This Painting Celebrates The Unique Spirit Of Thailand And Its People. Through Radiant Colors And Dreamlike Reflections, It Captures The Rich Culture, Warmth, And Spiritual Essence That Define The Thai Identity. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #33
philippinesphilippines
2026
Fusion

Fusion

āđ€āļ—āļ„āļ™āļīāļ„: Borning Drawing On Woodâ€Ēāļ‚āļ™āļēāļ”: 24 × 24 āļ‹āļĄ.
Florence Cinco
philippines

Florence Cinco

✉ïļ cincoflorencejose@gmail.com

philippinesphilippines

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Fusion Of Philippine Culture And Thai Culture |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #34
usausa
2026
Please Take Care Of The Earth

Please Take Care Of The Earth

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Media With Acrylicâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Ann Phong
usa

Ann Phong

✉ïļ annphongart@gmail.com@gmail.com

usausa

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"We Need To Reduce The Pollution On Earth |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #35
usausa
2026
Topanga Firebird

Topanga Firebird

āđ€āļ—āļ„āļ™āļīāļ„: Mixed On Aluminum With Wood, String, Neoprene Bootiesâ€Ēāļ‚āļ™āļēāļ”: 24 × 24 āļ‹āļĄ.
Edem Elesh
usa

Edem Elesh

✉ïļ mail@edem-art.com

usausa

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Perpetual Memory |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #36
usausa
2026
Pho Chang 25

Pho Chang 25

āđ€āļ—āļ„āļ™āļīāļ„: Colored Pencil, Graphiteâ€Ēāļ‚āļ™āļēāļ”: 22 × 32 āļ‹āļĄ.
James Patrick Finnegan
usa

James Patrick Finnegan

✉ïļ jfinnstudio@gmail.com

usausa

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"“Non Linear Narrative” |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #37
VietNamVietNam
2026
Memory Of The Earth

Memory Of The Earth

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Mediaâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Hung Ngo Thanh
VietNam

Hung Ngo Thanh

✉ïļ huphuart@gmail.com

VietNamVietNam

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Work Reflects The Current Environmental Reality, A World Riddled With Memories, Waste, And The Aftermath Of Development. It Also Seamlessly Integrates Cultural, Geographic, And Historical Diversity. Through "Memory Of The Earth," I Hope To Convey A Message To The Public About The Profound Connection Between People And The Land, The Connection Between Past And Present, And Our Shared Responsibility For The Future. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #38
vietnamvietnam
2026
Grid Of Nineteen

Grid Of Nineteen

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Nguyen Thi Thu Trang
vietnam

Nguyen Thi Thu Trang

✉ïļ thutrang.nguyen@hcm.ufa.edu.vn

vietnamvietnam

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Grid Of Nineteen Is An Abstract Exploration Of Order And Individuality Within A Shared Structure. Composed Of Nineteen Squares, The Work Juxtaposes Uniformity And Variation. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #39
vietnamvietnam
2026
The Breath Of Earth

The Breath Of Earth

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Nguyen Thuy Bich Ngoc
vietnam

Nguyen Thuy Bich Ngoc

✉ïļ ngocdohoa@gmail.com

vietnamvietnam

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Life Rise Quietly From Where A Tree Once Stood. Nature Breaths - We Only Need To Listen And Protect. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #40
VietnamVietnam
2026
Summer Sun

Summer Sun

āđ€āļ—āļ„āļ™āļīāļ„: Acrylicâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Thi Tran Van
Vietnam

Thi Tran Van

✉ïļ thi.tv@vlu.edu.vn

VietnamVietnam

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Summer Sun Slanting Through The Trees |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #41
thailandthailand
2026
Wai Khru Ceremony For Aesthetic And Applied Arts

Wai Khru Ceremony For Aesthetic And Applied Arts

āđ€āļ—āļ„āļ™āļīāļ„: Photo Painting, Drawing,Qr Code On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 120 āļ‹āļĄ.
Preecha Thothong
thailand

Preecha Thothong

✉ïļ artist.1787600718690.53.xyg7z@pohchang.gallery

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Artistic Creation Reflects The Knowledge Of Aesthetic Arts Through The Process Of Preservation, Continuation, And Development Of Traditional Thai Craftsmanship. It Integrates Classical Artisan Techniques With Modern Craftsmanship, Representing The Evolution And Legacy Of Thai Art From The Past To The Present, As Nurtured By Poh-Chang Academy Of Arts |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #42
thailandthailand
2026
Memory Of The Earth

Memory Of The Earth

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Adool Booncham
thailand

Adool Booncham

✉ïļ adul@msu.ac.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Land Is A Recorder Of Everything Thay Happens On Earth-Like A Vast Notbook That Has Documented Evensts Throunghout Time. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #43
thailandthailand
2026
World Of Greed

World Of Greed

āđ€āļ—āļ„āļ™āļīāļ„: Mixed On Paperâ€Ēāļ‚āļ™āļēāļ”: 59 × 79 āļ‹āļĄ.
Anan Pratchayanan
thailand

Anan Pratchayanan

✉ïļ archanang1967@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Undoubtedly,There Is Greed Hidden In People Who Are Selfish |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #44
thailandthailand
2026
Young Yayoi

Young Yayoi

āđ€āļ—āļ„āļ™āļīāļ„: Pinching, Rakuâ€Ēāļ‚āļ™āļēāļ”: 16.5 × 30 āļ‹āļĄ.
Apinya Wilai
thailand

Apinya Wilai

✉ïļ tunwilai2512@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Yayoi'S Youthful Vibrancy |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #45
ThailandThailand
2026
Petal Of Memory

Petal Of Memory

āđ€āļ—āļ„āļ™āļīāļ„: Stainlessâ€Ēāļ‚āļ™āļēāļ”: 45 × 45 āļ‹āļĄ.
Ariya Kitticharoenwiwat
Thailand

Ariya Kitticharoenwiwat

✉ïļ ariyalyon@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Happiness When Surrounded By Nature |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #46
thailandthailand
2026
āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡ Atiyot Sankaburanurak (#059)

āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡ Atiyot Sankaburanurak (#059)

āđ€āļ—āļ„āļ™āļīāļ„: After The Gunfire Fadesâ€Ēāļ‚āļ™āļēāļ”: Acrylic āļ‹āļĄ.
Atiyot Sankaburanurak
thailand

Atiyot Sankaburanurak

✉ïļ artsun2518@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"60 x 80 cm. | A Land Of Freedom, Where People Of Diverse Ethnicities Blend In Perfect Harmony, Inseparable By Any Force. A Culture And Art Born From Shared Creation, Branching Into Unique Identities Yet Deeply Rooted In The Same Origin. Even Barbed Wire Fences May Stand As Symbols Of Division And Separation, But In The Blood And In The Culture, Such Barriers Can Never Truly Exist — For These Are Bonds That No Boundary Can Ever Sever. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #47
thailandthailand
2026
The Parable Of.Clinging  (āļ­āļļāļ›āļ—āļēāļ™)​

The Parable Of.Clinging (āļ­āļļāļ›āļ—āļēāļ™)​

āđ€āļ—āļ„āļ™āļīāļ„: Acrylicâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Banchoet  Srisuk
thailand

Banchoet Srisuk

✉ïļ artist.1787600718690.59.6tw83@pohchang.gallery

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Riddle Of The Dhamma In The Matter Of Attachment Or Clinging |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #48
thailandthailand
2026
Grow
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"“Rice Is A Symbol Of Abundance, Prosperity, Stability, And The Origin Of Life, Culture, And History.” |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #49
thailandthailand
2026
Descended From Tavatimsa

Descended From Tavatimsa

āđ€āļ—āļ„āļ™āļīāļ„: Acrilicâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Bundit Inkong
thailand

Bundit Inkong

✉ïļ bunditinkong@rmutt.ac.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Buddha Descended From Tavatimsaheaven |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #50
thailandthailand
2026
Yaowarat
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Light&Shadow |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #51
ThailandThailand
2026
Perspective / Line-Boundary/ Drama And Dance

Perspective / Line-Boundary/ Drama And Dance

āđ€āļ—āļ„āļ™āļīāļ„: Tempera And Penâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Chalermpol Tosaradej
Thailand

Chalermpol Tosaradej

✉ïļ tosaradej@yahoo.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Perspective / Line-Boundary/ Drama And Dance In The Theatre State |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #52
ThailandThailand
2026
Digital Footprint: The Three Of Us

Digital Footprint: The Three Of Us

āđ€āļ—āļ„āļ™āļīāļ„: Photographyâ€Ēāļ‚āļ™āļēāļ”: 100 × 120 āļ‹āļĄ.
Chalida Songprasit
Thailand

Chalida Songprasit

✉ïļ chalida_dreamy@hotmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"In This Photo Series, I'Ve Captured A Beautiful Journey Through Memories On My Facebook Timeline. The Images Highlight A Three-Person Relationship, A Cog In The Machine Of Their Collaboration. The Work Explores The Interplay Between Special Locations And Significant Moments In Time. It Uses Magazine Covers As A Medium To Tell A Story Of These Deliberate Memories. Through The Colors Of The Clothing, The Series Reflects The Influence Of Thai Society And Culture: * Yellow And Purple Shirts Represent Loyalty To The Monarchy. * Red And Black Shirts Symbolize The Organization'S Official Colors. * Floral Shirts Signify Participation In The Songkran Festival, Among Other Things. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #53
thailandthailand
2026
The Bubble Bloom

The Bubble Bloom

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic And Stainless Steelâ€Ēāļ‚āļ™āļēāļ”: 36 × 31 × 30 āļ‹āļĄ.
Chatchawan Amsomkid
thailand

Chatchawan Amsomkid

✉ïļ jubjojobar@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Work Symbolizes The Fleeting Joy And Boundless Imagination Of Childhood Through Rainbow-Tinted Bubbles Drifting From A Flower. Beautiful Yet Fragile, These Bubbles Evoke The Preciousness Of A Time That Quickly Fades—Like Bubbles Vanishing In The Wind. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #54
ThailandThailand
2026
The Silent Serenade Of A Twig

The Silent Serenade Of A Twig

āđ€āļ—āļ„āļ™āļīāļ„: Thai Stuccoâ€Ēāļ‚āļ™āļēāļ”: 45 × 45 āļ‹āļĄ.
Chatchawan Sahassapaht
Thailand

Chatchawan Sahassapaht

✉ïļ asiaponpan@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Joy Of Peace: In A World Filled With Noise, To "Hear" A 'Soundless Song' Is To Genuinely Find Rest Amidst True Tranquility. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #55
ThailandThailand
2026
Cat No.4

Cat No.4

āđ€āļ—āļ„āļ™āļīāļ„: Engobe Color ,Clear Glaze Raku Firring,1100C Oxidationâ€Ēāļ‚āļ™āļēāļ”: 25 × 80 × 55 āļ‹āļĄ.
Den Raksorn
Thailand

Den Raksorn

✉ïļ d.denday78@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Cats Are Pets That Have Been Close To Humans For A Long Time. They Are Animals That Create Happiness, Fun, And A Sense Of Relaxation For Humans. The Creation Expresses The Feelings Towards The Cats That The Creators Raise, Which Are Intelligent, Cute, And Mischievous, Creating Happiness, Inspiration, And Imagination. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #56
thailandthailand
2026
I' M Fly

I' M Fly

āđ€āļ—āļ„āļ™āļīāļ„: 3D Printer & Epoxy Sculptureâ€Ēāļ‚āļ™āļēāļ”: 30 × 30 × 60 āļ‹āļĄ.
Dome Klaysang
thailand

Dome Klaysang

✉ïļ domesim2529@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Contemporary Sculpture Explores Modern Sculptural Processes By Combining Digital And Manual Techniques. The Work Begins With A Prototype Created Through 3D Printing Technology, Which Reflects The Precision And Innovation Of Contemporary Art Practices. The Surface Is Then Redefined By Hand-Sculpting With Clay, Deliberately Leaving Visible Fingerprints And Handmarks As An Expressive Trace Of The Artist’S Touch. The Final Form Is Cast In Epoxy Resin And Painted In Clay-Like Earthy Tones. The Sculpture Takes The Form Of A Female Figure With Wings, Inspired By The Thai Mythical Creature “Kinnaree” From Classical Literature. However, The Wings Are Reimagined As Butterfly Wings, Symbolizing Transformation, Freedom, And Blending With Universal Fairy Tale Aesthetics. This Fusion Of Thai Cultural Elements And Global Mythological Influences Creates A Unique Visual Language Rooted In Both Tradition And Contemporary Imagination. The Artwork Is Titled “I’M Fly”, A Play On Words That Carries Dual Meanings: Literally, “I Am Flying” Or “I Can Fly,” And Phonetically Echoing “I’M Fine”, Expressing The Artist’S Emotional Well-Being And Creative Liberation Through The Act Of Sculpting. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #57
thailandthailand
2026
Butterfly Dancing

Butterfly Dancing

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic,Collage On Canvasâ€Ēāļ‚āļ™āļēāļ”: 70 × 100 āļ‹āļĄ.
Dounghatai Pongprasit
thailand

Dounghatai Pongprasit

✉ïļ dounghatai3368@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Beauty And Delicacy Of Movement Conceal The Power Of Transformation. Let The Butterfly Represent Fragile Emotions, Hope, And Subtle Tremors That Might Unknowingly Change The Entire World |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #58
thailandthailand
2026
Thai
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Boy Will Represent The Way Of Thai , What We Believe In, What We Eat, How We Put The Money In The Safe Place. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #59
thailandthailand
2026
Lotus In The Cycle Of Samsara

Lotus In The Cycle Of Samsara

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Inthira Boonprot
thailand

Inthira Boonprot

✉ïļ inthira.boonprot@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The “Lotus” Symbolizes The Mind A Mind That, Though Born In The Mud Of Defilements, Can Still Blossom Through The Light Of Dhamma. | “Vatta” (Or Samsaric Cycle) Refers To The Endless Round Of Birth, Aging, Sickness, And Death — The Cycle Of Rebirth That Beings Continue To Traverse."

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #60
thailandthailand
2026
The Lament Of The Brave

The Lament Of The Brave

āđ€āļ—āļ„āļ™āļīāļ„: Pencil And Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Jarasa Bhanunandajoti
thailand

Jarasa Bhanunandajoti

✉ïļ jarasa.bha@mail.pbru.ac.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Beneath The Distorted Forms And Somber Atmosphere Lies The Echo Of Those Who Stood Their Ground For The Land Of Thailand — A Nameless Lament Filled With Bravery, Sacrifice, And A Spirit That Still Endures Within The Nation. This Piece Reflects The Silent Struggle Of Heroes Whose Voices May Be Unheard Today, Yet Still Resonate Eternally In The Hearts Of The People. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #61
thailandthailand
2026
The Rural Soul With Inspiration From Thaipottery1

The Rural Soul With Inspiration From Thaipottery1

āđ€āļ—āļ„āļ™āļīāļ„: Ceramicâ€Ēāļ‚āļ™āļēāļ”: 25 × 18 āļ‹āļĄ.
Jarun Nongbua
thailand

Jarun Nongbua

✉ïļ jarun_nb@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Rural Soul With Inspiration From Thaipottery1 |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #62
thailandthailand
2026
Fluffy Cat 2025

Fluffy Cat 2025

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 60 āļ‹āļĄ.
Jaruwan Mueangkhwa
thailand

Jaruwan Mueangkhwa

✉ïļ jaruwan.mu@ssru.ac.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Fluffy Cat Step Into A Space Born From A Deep Understanding Of The Human Heart'S Fragility. This Is More Than Just An Art Exhibition, It'S A 'Soft Grassy Field For The Soul'. A Safe Haven For Those Who May Feel Tired, Discouraged, Or Unsure Of Themselves. Let Fluffy Universe Be A Place Where You Can Fall Without Fear And Rise Again With Strength. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #63
ThailandThailand
2026
Bind Turtle

Bind Turtle

āđ€āļ—āļ„āļ™āļīāļ„: Resinâ€Ēāļ‚āļ™āļēāļ”: 40 × 35 × 55 āļ‹āļĄ.
Jerachon Boonmak
Thailand

Jerachon Boonmak

✉ïļ jerachon@hotmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Inspiration From The Tripitaka On The Subject Of Opportunities For Human Birth |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #64
thailandthailand
2026
Moon&Tawan
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The creation of nature, thermal energy, solar energy, wind energy, moonlight, creates a complete ecosystem. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #65
thailandthailand
2026
Way Of Life
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Life Of Thailand |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #66
ThailandThailand
2026
Blooming Flowers

Blooming Flowers

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 80 āļ‹āļĄ.
Jiraporn Rodkum
Thailand

Jiraporn Rodkum

✉ïļ jiraporn.rod@rmutr.ac.th

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Freshness Of Blooming Flower In Summer |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #67
ThailandThailand
2026
Jewelry On Frame

Jewelry On Frame

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Materials: Acrylic And Wire Jewelryâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Khwanrat Chinda
Thailand

Khwanrat Chinda

✉ïļ khwanrat.ch@rmutr.ac.th

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Jewelry On Frame: Sunshine And Flower |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #68
ThailandThailand
2026
Bond Of Form

Bond Of Form

āđ€āļ—āļ„āļ™āļīāļ„: Stone Carvingâ€Ēāļ‚āļ™āļēāļ”: 30 × 30 × 20 āļ‹āļĄ.
Kittipan Chinwannachot
Thailand

Kittipan Chinwannachot

✉ïļ kittipan.chi@mail.pbru.ac.th

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Shape Has Symbols That Express Emotional Protection, Secrecy, Control, The Choice To Keep Something Open Or Closed. This Piece Is Therefore A Symbolic Shape Of The Preservation Of Memory. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #69
thailandthailand
2026
Blossom
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The budding represents a crucial moment when nature begins to grow, symbolizing hope, transition and the gradual development that builds from small but powerful things within. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #70
thailandthailand
2026
Rhythm Of Life
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Even In A Paused Moment, The Body Still Speaks Of Struggle, Hope, And Existence Through Silent But Meaningful Rhythms.” |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #71
ThailandThailand
2026
Forgotten Floors

Forgotten Floors

āđ€āļ—āļ„āļ™āļīāļ„: Photographyâ€Ēāļ‚āļ™āļēāļ”: 75 × 150 āļ‹āļĄ.
Kullathida Dehouche
Thailand

Kullathida Dehouche

✉ïļ kullathida.mee@rmutr.ac.th

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Project Tells The Story Of Abandoned Spaces In The Heart Of Bangkok, Particularly In Vertical Structures. While Exploring Buildings Throughout The City, I Noticed That Most Street-Facing Buildings Only Utilize The Ground Floor For Commercial Purposes Leaving The Upper Floors Abandoned. This Underutilization Creates Problems In Terms Of Land Development Potential And Contributes To Unattractive Urban Landscapes—Despite The Fact That These Buildings Are Located In Prime Economic Zones, Along Main Roads, Where Land Value Is High. Join My Full Project On "Forgottenfloors.Com |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #72
ThailandThailand
2026
Black Panther

Black Panther

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic And Soft Pastelâ€Ēāļ‚āļ™āļēāļ”: 80 × 80 āļ‹āļĄ.
Leela Promwong
Thailand

Leela Promwong

✉ïļ lillyleelapromwong@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Human Expression Through Animal'S Face |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #73
ThailandThailand
2026
Human

Human

āđ€āļ—āļ„āļ™āļīāļ„: Fiberglassâ€Ēāļ‚āļ™āļēāļ”: 35 × 22 × 23 āļ‹āļĄ.
Lugpliw Junpudsa
Thailand

Lugpliw Junpudsa

✉ïļ lugpliw@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"How Humans Consume, The Results Of That Consumption Will Return To Themselves. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #74
thailandthailand
2026
Spirit​ Of​ Asean​

Spirit​ Of​ Asean​

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic​ On​ Canvas​â€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Maneerat Srikampa
thailand

Maneerat Srikampa

✉ïļ maneerat6464@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Presenting the art and culture of local women's clothing in the South and ASEAN. Batik cloth with beautiful and delicate patterns, combined with the pose of placing both hands, expressing hidden strength. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #75
thailandthailand
2026
Thai Safety.

Thai Safety.

āđ€āļ—āļ„āļ™āļīāļ„: Mix Colourâ€Ēāļ‚āļ™āļēāļ”: 80 × 60 āļ‹āļĄ.
Monthian Riab-Riang
thailand

Monthian Riab-Riang

✉ïļ actart.001@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Thai Safety. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #76
thailandthailand
2026
My Heart

My Heart

āđ€āļ—āļ„āļ™āļīāļ„: Photography,Digital Paint,Photoshopâ€Ēāļ‚āļ™āļēāļ”: 50.8 × 76.2 āļ‹āļĄ.
Nannat Jirapatwarakul
thailand

Nannat Jirapatwarakul

✉ïļ nannat.jirapat@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Is An Artwork That Expresses The Love I Have For My Child, Who Is Like My Heart. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #77
thailandthailand
2026
Imagery From Scrsp Materials Ix/2025

Imagery From Scrsp Materials Ix/2025

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Mediaâ€Ēāļ‚āļ™āļēāļ”: 49 × 35 × 110 āļ‹āļĄ.
Narupon Buranabunyat
thailand

Narupon Buranabunyat

✉ïļ narupon_b@rmutt.ac.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Concept Of Artwork Focuses On Transfroming Discarded Materials Into Meaningful Pieces. It Reflects The Impact Of Overconsumption And Promotes Reusing Materials To Reduce Waste And Protect The Environment |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #78
ThailandThailand
2026
Me And Myseahorse

Me And Myseahorse

āđ€āļ—āļ„āļ™āļīāļ„: Ceramicâ€Ēāļ‚āļ™āļēāļ”: 23 × 14 āļ‹āļĄ.
Nattanan Buangam
Thailand

Nattanan Buangam

✉ïļ bzi_bzy@hotmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Create works by using the style that is the identity of your own character, a round face with cheeks, bright colors, combined with a love for seahorses, which are animals with a unique shape, curled legs, colors, atmosphere, living under the sea where seahorses live and hide. Come and create through your own imagination, express your freshness in your own unique style through ceramic methods. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #79
ThailandThailand
2026
Karma Birds

Karma Birds

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Technique On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Neti Phikroh
Thailand

Neti Phikroh

✉ïļ bubyzoon@hotmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Buddhism Teaches Everyone To Do Good, To Refrain From Evil. Those Who Do Evil Will Suffer In Different Ways. When You Die, You Will Have To Repay The Karmic Effects In Hell. I Have Imagined The Appearance Of The Results Of Human “Karma” Actions By Creating Traces, Surfaces, Shapes, And Forms Using Mixed-Technique Painting Techniques That Are Combined With Imagination, Which Is An Imaginary Form Of Mental States With Thoughts, Emotions, And Feelings, Focusing On Repression And Agitation To Show The Power Of Harmonious Conflict. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #80
thailandthailand
2026
Yamaka Miracle

Yamaka Miracle

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 120 × 100 āļ‹āļĄ.
Niroj Jarungjitvittawat
thailand

Niroj Jarungjitvittawat

✉ïļ niroj.tee@gmail.con

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"All Elements Are In A Condition That Is Difficult To Endure In The Same Condition. Concrete, Abstract, All Are Not Right And Always Changing. Whether Suffering Or Happiness, Whether Hot Or Cold, Whether High Or Low, Whether Good Or Bad, Everything Is Like That. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #81
thailandthailand
2026
Colours Of The Light Colours And Shadows Of The Faith

Colours Of The Light Colours And Shadows Of The Faith

āđ€āļ—āļ„āļ™āļīāļ„: Acrylicâ€Ēāļ‚āļ™āļēāļ”: 100 × 100 āļ‹āļĄ.
Noppadon Natdee
thailand

Noppadon Natdee

✉ïļ noppadon.tao@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"I Believe In The Goodness In Buddhism."

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #82
thailandthailand
2026
Poh Chang In My Memory

Poh Chang In My Memory

āđ€āļ—āļ„āļ™āļīāļ„: 3D Penâ€Ēāļ‚āļ™āļēāļ”: 20 × 25 × 23 āļ‹āļĄ.
Noppadon Viroonchatapun
thailand

Noppadon Viroonchatapun

✉ïļ n_viroonchatapun@yahoo.co.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"“Poh-Chang Academy Of Arts Is Thailand’S First Institution Of Art, Founded Upon A Strong Cultural Foundation. It Serves As A Vital Source Of Artistic Knowledge, Playing A Key Role In Preserving And Advancing Thai Culture In A Continuous And Sustainable Manner.” |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #83
thailandthailand
2026
Dreaming Season

Dreaming Season

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Onsoung Seangsuk
thailand

Onsoung Seangsuk

✉ïļ fantar.rk@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Each Season Holds Its Own Beauty, Yet They Never Found Together. This Work Brings Their Essence Together Unified Through Represent By Color. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #84
ThailandThailand
2026
Notes from Thai technicians

Notes from Thai technicians

āđ€āļ—āļ„āļ™āļīāļ„: āļ”āļīāļ™āļŠāļ­āļžāļ­āļ‡āļ›āļĢāļ°āļāļ­āļšāđ„āļĄāđ‰ White Clay With Teakâ€Ēāļ‚āļ™āļēāļ”: 80 × 80 āļ‹āļĄ.
Opas Charoensuk
Thailand

Opas Charoensuk

✉ïļ nuiopas@hotmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"It shows the beauty of the combination of shapes, materials and textures inspired by Thai craftsmen. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #85
thailandthailand
2026
Neko Jump

Neko Jump

āđ€āļ—āļ„āļ™āļīāļ„: Cyanotype On Fabric, Resinâ€Ēāļ‚āļ™āļēāļ”: 60 × 140 āļ‹āļĄ.
Pakamon Thangchitiloet
thailand

Pakamon Thangchitiloet

✉ïļ pakamon.ajaom@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"In the midst of the universe of jumping cats |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #86
ThailandThailand
2026
The Dreamer

The Dreamer

āđ€āļ—āļ„āļ™āļīāļ„: Ceramics Rakuâ€Ēāļ‚āļ™āļēāļ”: 25 × 50 āļ‹āļĄ.
Panchaluk Hareerak
Thailand

Panchaluk Hareerak

✉ïļ panchaluk_h@rmutt.ac.th

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"From the love and bond between dogs. Mixed breeds Shih Tzu and Pommeridians, males, who are in close love like little sons, with an impressive, adorable and humorous gesture that does not adhere to realistic shapes. In the form of art toys according to their characteristics. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #87
ThailandThailand
2026
Meow Meow’S Happiness
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Meow Meow" Gives Love And Happiness To People All Over The World |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #88
thailandthailand
2026
Body And Mind

Body And Mind

āđ€āļ—āļ„āļ™āļīāļ„: Woodcarving And Inkâ€Ēāļ‚āļ™āļēāļ”: 95 × 75 āļ‹āļĄ.
Panuwat Sitheechoke
thailand

Panuwat Sitheechoke

✉ïļ panuwatsit4565@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"“Body And Mind” Expresses The Structural Bond Between The Body And The Mind An Existential Condition Of Humanity That Responds With A Clinging Reaction, Creating An Entangling Imprisonment. This Bondage Restrains The Inner Freedom Of The Human Spirit, To The Point Where Even Oneself Cannot Halt What Arises From This Endless Captivity. Body And Mind Are Both Anatta Void Of True Self. Without Understanding This, One Inevitably Becomes Attached And Enslaved By Them. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #89
ThailandThailand
2026
Traces

Traces

āđ€āļ—āļ„āļ™āļīāļ„: Color Powder On Chalk On Cementâ€Ēāļ‚āļ™āļēāļ”: 80 × 80 āļ‹āļĄ.
Parnthip Phattarachon
Thailand

Parnthip Phattarachon

✉ïļ parnthip61@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Beauty Of The Traces Of The Murals That Still Remain On The Boats Is The Inspiration For My Creations. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #90
thailandthailand
2026
Red Turtle

Red Turtle

āđ€āļ—āļ„āļ™āļīāļ„: Screen Printingâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Patamas Pinnukul
thailand

Patamas Pinnukul

✉ïļ pinnukul.p@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Red Turtle |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #91
ThailandThailand
2026
White Chrysanthemum In Her Soul

White Chrysanthemum In Her Soul

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Techniqueâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Patcharin Anawatprayoon
Thailand

Patcharin Anawatprayoon

✉ïļ patcharinana@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Work Is Based On The Chrysanthemum Flower, A Symbol Of A Gentle Yet Powerful Woman. Its Delicately Layered Petals Represent The Emotions, Feelings, And Life Experiences Of Each Woman, Each Complex, Profound, And Beautiful In Its Own Right. The Chrysanthemum Also Symbolizes Strength, Resilience, And Unwavering Elegance In The Face Of Change, Just Like A Woman Who Can Face The World With Inner Peace. Works Is A Creative Composition That Presents An Artwork Combining Painting Techniques And Cutting Techniques Of Transparent Silk In Various Colors, Cut Into The Shapes Of Flower Petals, Overlapping In Many Layers Throughout The Work. The Process Results In Semi-Abstract, Semi-Realistic Forms. ""Flowers, A Symbol Of Women'S Emotions And Feelings"" Express Their Emotional States In Accordance With Instinct And Experiences Of Women. The Emotional State Of Women And The Emotional Relationships Of The Creators Are Reflected In Flowers; The Beauty Of Flowers Symbolizes The Beauty Of Women, Utilizing The Characteristics, Shapes, Structures, Colors Of Flowers, And Meanings Comparable To Women. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #92
thailandthailand
2026
Rama, Tosakantha

Rama, Tosakantha

āđ€āļ—āļ„āļ™āļīāļ„: Raku Firingâ€Ēāļ‚āļ™āļēāļ”: 9 × 24 āļ‹āļĄ.
Phubeng Phukasem
thailand

Phubeng Phukasem

✉ïļ phubeng.p@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The colors of the cultural era that translate and change. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #93
thailandthailand
2026
Inequality in Rattanakosin Island

Inequality in Rattanakosin Island

āđ€āļ—āļ„āļ™āļīāļ„: Photo And Digital Printâ€Ēāļ‚āļ™āļēāļ”: 50 × 70 āļ‹āļĄ.
Polnusak Wongsasook
thailand

Polnusak Wongsasook

✉ïļ polnusak.won@rmutr.ac.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Rattanakosin Island is developing more and more, but there are still homeless people, homeless people, and homeless people living there. Therefore, these two things must coexist. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #94
thailandthailand
2026
Baby' War
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"There Are Many Wars Around The World And This War In 2025 Shows The Greed Of Some Prominent People. I Would Criticize It As A Basic Human Desire To Possess Everything. This Work Was Printed By The Children 8 And 11 Years Old To Express Their Feelings About The War And The Artist Used Colored Materials To Represent The Effects Of The War. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #95
thailandthailand
2026
Earth, Water, Wind, Fire

Earth, Water, Wind, Fire

āđ€āļ—āļ„āļ™āļīāļ„: Cášŧamic Rakuâ€Ēāļ‚āļ™āļēāļ”: 9 × 9 × 50 āļ‹āļĄ.
Pornsawan Nonthapha
thailand

Pornsawan Nonthapha

✉ïļ p.moodspace@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Earth, Water, Wind And Fire Create Abundant Life. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #96
thailandthailand
2026
Gradual Change

Gradual Change

āđ€āļ—āļ„āļ™āļīāļ„: Stainless Steelâ€Ēāļ‚āļ™āļēāļ”: 30.5 × 22 × 42 āļ‹āļĄ.
Poraphon Chinwannachot
thailand

Poraphon Chinwannachot

✉ïļ poraphon.tong@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"“Gentle Transformation” Conveys The Process Of A Seed’S Growth—Gradual Yet Steady—With Tenderness And Subtlety. It Is Expressed Through Simple, Unembellished Forms And Reflective Materials That Invite Interaction Between The Artwork And Its Surrounding Environment. Within The Stillness Lies A Quiet Transformation, Holding The Power To Awaken Perception, Evoke Emotion, And Inspire Interpretation In Those Who Encounter It. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #97
ThailandThailand
2026
Project Khontemporary

Project Khontemporary

āđ€āļ—āļ„āļ™āļīāļ„: Steel Plate, Plywood, Banknoteâ€Ēāļ‚āļ™āļēāļ”: 49 × 70 × 70 āļ‹āļĄ.
Prajak Supantee
Thailand

Prajak Supantee

✉ïļ sprajak@kku.ac.th

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Solving the problem at hand Temporary experiments Relying on the environmental conditions and context of the area according to the social situation is a guide to create works that reflect the present. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #98
thailandthailand
2026
Raku Chawan 1,2

Raku Chawan 1,2

āđ€āļ—āļ„āļ™āļīāļ„: Pinching With Rakuâ€Ēāļ‚āļ™āļēāļ”: 12 × 9 āļ‹āļĄ.
Prakorn Wilai
thailand

Prakorn Wilai

✉ïļ prakornwilai1@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Wabi-Sabi |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #99
thailandthailand
2026
Obstacle
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Mara Is An Obstacle In My Mine |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #100
ThailandThailand
2026
Anon
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Animal Thai |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #101
ThailandThailand
2026
Eight Auspicious Horses

Eight Auspicious Horses

āđ€āļ—āļ„āļ™āļīāļ„: Acrylicâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Sanan Rattana
Thailand

Sanan Rattana

✉ïļ sananrattana18@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"“Eight Horses Symbolize Good Fortune, Success, And Prosperity In Career And Professional Surroundings.” |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #102
ThailandThailand
2026
Sivilai
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Impressed By The Atmosphere, Lights, Colors, People In Important Buddhist Activities At Night, And The Unique Architectural Shapes Of Thai Religious Sites. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #103
thailandthailand
2026
Trap Sereis 33

Trap Sereis 33

āđ€āļ—āļ„āļ™āļīāļ„: Raku Ceramicâ€Ēāļ‚āļ™āļēāļ”: 64 × 22 × 32 āļ‹āļĄ.
Saravut Vongnate
thailand

Saravut Vongnate

✉ïļ saravut7727@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Infatuation with the touch of lust If even a human being does not know how to control it, he will stray as if he is trapped without realizing it. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #104
ThailandThailand
2026
Coil
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Coiling Of The Earth'S Surface Is Like The Layers Of Earth That Overlap, And The Different Coiling Patterns Represent The Natural Movement Of The Earth'S Crust, Which Is Beautifully Moving. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #105
ThailandThailand
2026
Most Beautiful Buddha In The World

Most Beautiful Buddha In The World

āđ€āļ—āļ„āļ™āļīāļ„: Stuccoâ€Ēāļ‚āļ™āļēāļ”: 24 × 24 × 43 āļ‹āļĄ.
Sira -​ Chathakorn Suwanasorn
Thailand

Sira -​ Chathakorn Suwanasorn

✉ïļ kunkrura6@gmail.com​

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Beauty Of Imperfection Can Appear By Approach The Truth In Mind |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #106
ThailandThailand
2026
Matcha Glass, Ban Chiang

Matcha Glass, Ban Chiang

āđ€āļ—āļ„āļ™āļīāļ„: Raku Ceramicsâ€Ēāļ‚āļ™āļēāļ”: 27 × 18 × 18 āļ‹āļĄ.
Somjai Mameen
Thailand

Somjai Mameen

✉ïļ smj.mameen@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Work Is An Integration Of Ban Chiang Pottery Art And Culture By Reviving The Ceramic Dance, Raku. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #107
thailandthailand
2026
Culture Figure

Culture Figure

āđ€āļ—āļ„āļ™āļīāļ„: Seed On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Somporn Taemprasit
thailand

Somporn Taemprasit

✉ïļ somporn.taem@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Meaning Of The Meterials And The Unique Shape Arethe Culturel Identity Of The People Of Southern Thailand. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #108
thailandthailand
2026
Crocodile Tail Sweep

Crocodile Tail Sweep

āđ€āļ—āļ„āļ™āļīāļ„: Stainless Steel Weldingâ€Ēāļ‚āļ™āļēāļ”: 30 āļ‹āļĄ.
Sorrahrai  ruangrung
thailand

Sorrahrai ruangrung

✉ïļ sorrakrai90@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Want To Present The Postures Of Muay Thai Through Sculptures To Convey The Beauty, Strength And Identity Of Muay Thai As A Martial Art With Deep Cultural Roots, And To Help Promote Muay Thai To Be Known Internationally. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #109
thailandthailand
2026
Coexistence

Coexistence

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Subin Muangchan
thailand

Subin Muangchan

✉ïļ subinmuangchan2515@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Nature, dependence, and equal coexistence. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #110
thailandthailand
2026
Emotion And Face
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"I wanted to express emotion through the shapes of human and animal faces in a way that was cut off from the free strokes and deliberate composition, as well as to represent the color values of the faces with flashy colors contrasting with the black soot surface caused by the burning process. To express a variety of emotions through ceramic creative techniques. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #111
thailandthailand
2026
The Survivor

The Survivor

āđ€āļ—āļ„āļ™āļīāļ„: Hand Building, Rakuâ€Ēāļ‚āļ™āļēāļ”: 28 × 23 × 33 āļ‹āļĄ.
Sukumarl Tuk Sarakasetrin
thailand

Sukumarl Tuk Sarakasetrin

✉ïļ tukatatoy@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"No Matter How Difficult Life Is, You Will Always Survive. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #112
thailandthailand
2026
A Golden Bodhi, The Auspicious Symbol Of Faith

A Golden Bodhi, The Auspicious Symbol Of Faith

āđ€āļ—āļ„āļ™āļīāļ„: Metal Embossed, Enameledâ€Ēāļ‚āļ™āļēāļ”: 50 × 80 āļ‹āļĄ.
Sumneing Nookong
thailand

Sumneing Nookong

✉ïļ sumneang.gs@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Faith In Buddhism, Peace And Happiness, Prosperity And Wealth Are Auspicious Things For The Owner'S Life. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #113
ThailandThailand
2026
Lady Of Shadow Puppet

Lady Of Shadow Puppet

āđ€āļ—āļ„āļ™āļīāļ„: āđāļāļ°āļĢāļđāļ›āļŦāļ™āļąāļ‡āļ•āļ°āļĨāļļāļ‡ , āļ›āļąāļāđ€āļĨāļ·āđˆāļ­āļĄâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Sunisa Intarasuk
Thailand

Sunisa Intarasuk

✉ïļ sunisa.craft@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Lady Of Shadow Puppet. The Beauty Of Southern Lady. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #114
thailandthailand
2026
New Iiris Flower

New Iiris Flower

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic Collageâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Sunsanee Rungrueangsakorn
thailand

Sunsanee Rungrueangsakorn

✉ïļ sunsanybox@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Creator Was Impressed By The Beauty Of The Iris Flower And Was Inspired To Use His Imagination To Create A New Work Of Art By Incorporating Various Patterns Into The Flower'S Various Components, Such As Petals And Stamens. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #115
ThailandThailand
2026
Bua
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Beauty Of Lotus |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #116
ThailandThailand
2026
Seed
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This Woodcarving Work Explores The Journey Of Inner Growth Through The Metaphor Of A Lotus Seed Carried By The Flow Of Water. Inspired By The Buddhist Philosophy Of The “Four Types Of Lotus” (Buddhist Classification Of People’S Readiness For Enlightenment), The Piece Visualizes The Evolution Of Consciousness — From Ignorance And Delusion To Wisdom And Spiritual Awakening. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #117
thailandthailand
2026
Double Seed.

Double Seed.

āđ€āļ—āļ„āļ™āļīāļ„: Steel And Stainless Steel.â€Ēāļ‚āļ™āļēāļ”: 32 × 37 × 28 āļ‹āļĄ.
Surachai  Donprasri
thailand

Surachai Donprasri

✉ïļ sura_pepe@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"I want to reflect on the idea of genetically modified seeds. In the form of seeds, they are paired or crossed with each other. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #118
ThailandThailand
2026
Confused

Confused

āđ€āļ—āļ„āļ™āļīāļ„: Etching & Collapraphâ€Ēāļ‚āļ™āļēāļ”: 52 × 40 āļ‹āļĄ.
Surapong Somsuk
Thailand

Surapong Somsuk

✉ïļ arjanpusurapong@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"A Life Full Of Confusion And Struggle. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #119
ThailandThailand
2026
Singha Nakhon Phanom

Singha Nakhon Phanom

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic Painting On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Sutida Dongsansuk
Thailand

Sutida Dongsansuk

✉ïļ sutidakoy2524@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The "Singha Nakhon Phanom" Is Inspired By The Distinctive Stucco Motifs Of Wat Phra That Phanom. This Artwork Features The Lion,Gilded To Create A Stunning Effects, Creatively Places On Canvas Within The Frame Of A Paka Leaf,Making Use Of Negative Space In It'S Competition. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #120
ThailandThailand
2026
Apple No.5

Apple No.5

āđ€āļ—āļ„āļ™āļīāļ„: Wheel Throwing Double Walled Vessel, Raku Cearmic.â€Ēāļ‚āļ™āļēāļ”: 25-40 āļ‹āļĄ.
Sutthinee Sukkul
Thailand

Sutthinee Sukkul

✉ïļ am_aeing@hotmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Agrarian Lifestyle That Conscientiously Considers And Conserves The Ecosystem, Environment, And Biodiversity, Ensuring Food Security And Safety, While Fostering A Balance Of Economic And Social |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #121
ThailandThailand
2026
Human
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"It is a way of human society where everyone searches for the truth and the growth of life. Circling, breaking, swimming, creating life experiences. Struggle to find love, greed, anger and delusion to pursue a way that invites life, do not be happy. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #122
ThailandThailand
2026
Love

Love

āđ€āļ—āļ„āļ™āļīāļ„: Raku Firingâ€Ēāļ‚āļ™āļēāļ”: 22 × 11 × 30 āļ‹āļĄ.
Tanet Kaikaew
Thailand

Tanet Kaikaew

✉ïļ binobitogm@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Each person shows their own love according to their own expectations. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #123
thailandthailand
2026
Hoop Tam 2024

Hoop Tam 2024

āđ€āļ—āļ„āļ™āļīāļ„: Technique : Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Tanupon En-On
thailand

Tanupon En-On

✉ïļ e.tanupon1978@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Artist Has Been Bringing Up The Hooptam For Experiment In His Artworks. Each Piece Gives The Improvement And New Experience For The Adjustment Of His Work, So He Understands Deeply About The Core Of The Hooptam. The Primary Of The Northeast Of Thai Mural Painting Is Told By The Artist’S Feeling And Expression. This Series Of Painting Is A Reflection Of The Artist’S Perspective Inspired By The Hooptam In A Period Of Time. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #124
thailandthailand
2026
The Four - Legged Explorers Duo

The Four - Legged Explorers Duo

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Mediaâ€Ēāļ‚āļ™āļēāļ”: 33 × 30 × 34 āļ‹āļĄ.
Tanyarat Thongjai
thailand

Tanyarat Thongjai

✉ïļ bash2297@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Playful And Energetic, A Four-Legged Explorer Duo Dives In And Out Of Pipes As If They Were Their Own Playground. This Joyful Scene Is Captured In A Vibrant, Contemporary Sculpture. The Work Is Highlighted By The Rich, Black Tones Of Yang Rak (Black Lacquer), A Local Material That Adds Depth And A Striking Dimension, Inviting Viewers To Appreciate The Aesthetic Through Its Form And Color, And Leaving Them With A Smile. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #125
thailandthailand
2026
Chair And Chaos
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Chair Comes With (Chair = Work,Position,Identity) |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #126
ThailandThailand
2026
Pang Samathi : The Buddha In Meditation

Pang Samathi : The Buddha In Meditation

āđ€āļ—āļ„āļ™āļīāļ„: Plasterâ€Ēāļ‚āļ™āļēāļ”: 20 × 45 × 50 āļ‹āļĄ.
Teerawut Ruangchrark
Thailand

Teerawut Ruangchrark

✉ïļ teerawut.14022531@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Meditation Buddha Posture Represents The Buddha During His Deep Meditation Under The Bodhi Tree Before Attaining Enlightenment. Both Hands Are Placed On The Lap, Right Hand Over The Left, With Palms Facing Upward. His Face Appears Calm And Serene, Symbolizing Stability, Mindfulness, And Inner Peace. This Posture Also Signifies Liberation From The Cycle Of Birth And Death (Samsara). |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #127
ThailandThailand
2026
Balloon(Gild)

Balloon(Gild)

āđ€āļ—āļ„āļ™āļīāļ„: Ceramic Lacquered And Gildedâ€Ēāļ‚āļ™āļēāļ”: 22 × 22 × 44 āļ‹āļĄ.
Thanapon Srihong
Thailand

Thanapon Srihong

✉ïļ tay_02020@hotmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Balloon “Balloons” Are A Symbol Of Happiness And Fun Celebration. They Are Also Used As A Medium To Express Good Feelings Between Each Other. Therefore, People Like To Use Balloons To Decorate Places Or Put Them In Bouquets To Create An Atmosphere And Help People Feel More Impressed “Lacquer And Gold Leaf” Is A Valuable Cultural Heritage And A Unique Expression Of Artistic Wisdom And Knowledge. It Is Exquisite, Unique, And Represents A Truly Exquisite Image |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #128
ThailandThailand
2026
Puttan Miti Jewelry Collection

Puttan Miti Jewelry Collection

āđ€āļ—āļ„āļ™āļīāļ„: 3D Printing And Silver Casting Techniques. Jewelry Are Then Coating With Black Rhodium And Gold Plating, And Prong Setting With Diamonds.â€Ēāļ‚āļ™āļēāļ”: 100 × 100 āļ‹āļĄ.
Thanita Thepnoo
Thailand

Thanita Thepnoo

✉ïļ thanita.the@rmutr.ac.th

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Puttan Miti Jewelry Collection (Dimension Of Hibiscus Mutabilis) The Term ""Miti"" (Dimension) Refers To The Diverse Perspectives And Facets Of The Puttan (Hibiscus Mutabilis) Flower. This Encompasses The Unique Beauty Expressed In Each Distinct Dimension Of Life'S Various Stages. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #129
ThailandThailand
2026
Love-Dream-The Sea

Love-Dream-The Sea

āđ€āļ—āļ„āļ™āļīāļ„: Mix Mediaâ€Ēāļ‚āļ™āļēāļ”: 80 × 120 āļ‹āļĄ.
Thudong Sukgasem
Thailand

Thudong Sukgasem

✉ïļ thudong2513@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Once Upon A Time |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #130
ThailandThailand
2026
The Horrors Of War

The Horrors Of War

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Topaz Wongsalangkarn
Thailand

Topaz Wongsalangkarn

✉ïļ ph.d.topazw@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"“Insights From The 2025 Thai-Cambodian Border Conflict, A War Filled With Nothing But Loss And Suffering.” |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #131
ThailandThailand
2026
Aboriginal
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Aboriginal Tribal Patterns Are Applied And Decorated To Create Beauty Using The Technique Of Painting With Colored Clay. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #132
ThailandThailand
2026
Family
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"My Family Is So Beauty |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #133
ThailandThailand
2026
The Elephants

The Elephants

āđ€āļ—āļ„āļ™āļīāļ„: Ceramic Raku 1100 ‘ Câ€Ēāļ‚āļ™āļēāļ”: 22 × 30 × 52 āļ‹āļĄ.
venich Suwanmoli
Thailand

venich Suwanmoli

✉ïļ venichsuwanmoli@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Animal Of Power In The Forest. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #134
thailandthailand
2026
The stream of merit

The stream of merit

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Wareenun Ravechotipat
thailand

Wareenun Ravechotipat

✉ïļ wareenun.rav@rmutr.ac.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This image reflects Natural and spiritual abundance through the three main symbols: lotus, fish, and water. 1. Lotus flower – represents purity, prosperity, and virtue that grows even in turbid water. 2. Fish – symbolizes wealth, freedom, and a flowing life. 3. Stream – represents continuity and nourishment of life. This picture conveys the power of goodness, perseverance, and charity that helps nourish the spiritual life to grow beautifully. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #135
ThailandThailand
2026
Among Us
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Exploring Political In Our Body. 5 Toe Is The Alienation On Our Society But The Same Time We Are Immigration To Every Country.That’S Evident Of Existential Of The Different Human. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #136
thailandthailand
2026
Whingkahlong Fish

Whingkahlong Fish

āđ€āļ—āļ„āļ™āļīāļ„: Terracottaâ€Ēāļ‚āļ™āļēāļ”: 40 × 40 × 25 āļ‹āļĄ.
Warut Wannakaeo
thailand

Warut Wannakaeo

✉ïļ best_warut@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Traditional Pattren Of Whingkahlong |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #137
thailandthailand
2026
Mindscape_2025

Mindscape_2025

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic And Collage On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Watcharaporn Srisuk
thailand

Watcharaporn Srisuk

✉ïļ watcharaporn_s@rmutt.ac.th

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Natural Is Always Beautiful It Depends On How We Choose To See It. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #138
ThailandThailand
2026
Naga King 2025

Naga King 2025

āđ€āļ—āļ„āļ™āļīāļ„: Ceramicâ€Ēāļ‚āļ™āļēāļ”: 20 × 28 × 40 āļ‹āļĄ.
Watchrin Sae Tia
Thailand

Watchrin Sae Tia

✉ïļ 1josey.cat@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"A Symbol Of Fertility, Wealth And Good Fortune, It Is Accompanied By Various Prophecies Based On Human Beliefs And Hopes. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #139
ThailandThailand
2026
Untie

Untie

āđ€āļ—āļ„āļ™āļīāļ„: Ceramics And Glassâ€Ēāļ‚āļ™āļēāļ”: 60 × 36 āļ‹āļĄ.
Suvat Chatangam
Thailand

Suvat Chatangam

✉ïļ pla.rasada@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The combination of visual elements in the artwork is a whole point of subdivision. Lines, colors, shapes, shapes and materials are combined to create a work that represents aesthetic elements in a rich way. Sundariya |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #140
ThailandThailand
2026
Temperament Series #1/2025

Temperament Series #1/2025

āđ€āļ—āļ„āļ™āļīāļ„: Linocutâ€Ēāļ‚āļ™āļēāļ”: 70 × 100 āļ‹āļĄ.
Watanachot Tungateja
Thailand

Watanachot Tungateja

✉ïļ wattanachot@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Human Emotional States Change All The Time Depending On The Environment. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #141
ThailandThailand
2026
Love Or Trick?

Love Or Trick?

āđ€āļ—āļ„āļ™āļīāļ„: Raku Firingâ€Ēāļ‚āļ™āļēāļ”: 14 × 14 × 31 āļ‹āļĄ.
Weerada Buabangbai
Thailand

Weerada Buabangbai

✉ïļ amceramy@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Expressions of love, no matter what form they take, can always make us happy. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #142
thailandthailand
2026
Self-Portrait In July 2025

Self-Portrait In July 2025

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Techniqueâ€Ēāļ‚āļ™āļēāļ”: 21 × 47 × 51 āļ‹āļĄ.
Wisut Yimprasert
thailand

Wisut Yimprasert

✉ïļ wisutyim@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"In Our Daily Life, We All Have To Face Reality, Goodness, Beauty, Happiness, And Suffering That Come Through Our Minds, Both Consciously And Unconsciously. I Was Inspired By The Daily Life Of Each Moment To Create This Piece. “Self-Portrait In July 2025” Through Objects And Materials That I See In My Daily Life As Well. Brought Together To Form A Sculpture Using Visual Elements To Express Emotions The Feeling Of That Moment. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #143
ThailandThailand
2026
Birth Symbol
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Penis Or Penis Is The Origin Of Life And Fertility. All Life In The World Exists Due To The Result Of The Jointness Between The Essence Of The Male And Female Sex. The Power To Create And Inherit This Genitals Is An Important Factor In The Fertility Of The Land. And Grain Plants In The World |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #144
ThailandThailand
2026
High-Class Dog
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"A Dining Table For Dog That Expresses The Relationship Between Human And Dog, Which Is Like Family, A Love That Does Not Divide Social Status. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #145
thailandthailand
2026
Body Language

Body Language

āđ€āļ—āļ„āļ™āļīāļ„: Paint And Marker On Canvasâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Papon Kamonwuttipong
thailand

Papon Kamonwuttipong

✉ïļ yangpare15@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"A Language Expressed Through The Body That Communicates To Others Without Explanation And Reaches Emotions. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #146
thailandthailand
2026
Rebirth Of The Past

Rebirth Of The Past

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Pirapong Gulpisal
thailand

Pirapong Gulpisal

✉ïļ piraponggulpisa@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Process Of Making Ancient Images Found On Cave Walls Around The World Into The Main Elements Of The Image To Create A Contemporary Version Of Old Memories Without Any Negative Thoughts. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #147
ThailandThailand
2026
Uncontrollable

Uncontrollable

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Mediaâ€Ēāļ‚āļ™āļēāļ”: 80 × 35 āļ‹āļĄ.
Sornchai Chanasuk
Thailand

Sornchai Chanasuk

✉ïļ sornchaicha820@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Just As We Cannot Perfectly Control Nature, We Cannot Perfectly Control Our Own Lives. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #148
ThailandThailand
2026
Humanity'S Equilibrium With Nature

Humanity'S Equilibrium With Nature

āđ€āļ—āļ„āļ™āļīāļ„: Wood Carvingâ€Ēāļ‚āļ™āļēāļ”: 30 × 20 × 30 āļ‹āļĄ.
Trin Kittikanampol
Thailand

Trin Kittikanampol

✉ïļ trink@buu.ac.th

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Humans And Nature Can Coexist In Balance. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #149
ThailandThailand
2026
Lady Boy
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Males are always more beautiful than females. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #150
ThailandThailand
2026
Inner
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Truth Sad. Thailand |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #151
ThailandThailand
2026
Tang Cha , 6 Years Old 2025.

Tang Cha , 6 Years Old 2025.

āđ€āļ—āļ„āļ™āļīāļ„: Pastel On Canvasâ€Ēāļ‚āļ™āļēāļ”: 50 × 40 āļ‹āļĄ.
Narumol Silpachaisri
Thailand

Narumol Silpachaisri

✉ïļ boriraksa@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Love Is Love |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #152
ThailandThailand
2026
Pink Filter

Pink Filter

āđ€āļ—āļ„āļ™āļīāļ„: Ceramic, Paintingâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Piamchan Boontrai
Thailand

Piamchan Boontrai

✉ïļ boopiamchan@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"I Choose To See Or Believe In Things That Don'T Depress Me, Even Though The Real World Is Full Of Pain And Cruelty. Therefore, I Want To Convey This Through Sculptures And Paintings Of People, Animals, And Figures, With An Atmosphere Blanketed In Pink, Like A Hazy Dream. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #153
ThailandThailand
2026
The Duration Of The Object

The Duration Of The Object

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Mediaâ€Ēāļ‚āļ™āļēāļ”: 80 × 60 āļ‹āļĄ.
Songsak Nampho
Thailand

Songsak Nampho

✉ïļ suparat.som9@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Ofjects Indicate Time And Narrtives Of Experience |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #154
ThailandThailand
2026
Normal

Normal

āđ€āļ—āļ„āļ™āļīāļ„: āļ›āļĢāļ°āļ”āļąāļšāļāļĢāļ°āļˆāļ, āđāļāđ‰āļ§āļ™āđ‰āļģâ€Ēāļ‚āļ™āļēāļ”: - āļ‹āļĄ.
Sucha Silpachaisri
Thailand

Sucha Silpachaisri

✉ïļ big.sucha@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Everything is uncertain, but be aware that. What is the status of the valuable? Whatever form it takes, it is valuable. It's normal. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #155
ThailandThailand
2026
Seeds of the Land

Seeds of the Land

āđ€āļ—āļ„āļ™āļīāļ„: Caramicâ€Ēāļ‚āļ™āļēāļ”: 30 × 40 āļ‹āļĄ.
Dach Nanklang
Thailand

Dach Nanklang

✉ïļ dach.n@homall.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Seeds of the Land |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #156
ThailandThailand
2026
Decline
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Decline Of Buddhism Is Caused By People Who Act Against The Religion, Not By The Religion Itself. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #157
ThailandThailand
2026
My King
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The monarch is the center of the people's mind. Join the whole party. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #158
thailandthailand
2026
Ampawa Canal

Ampawa Canal

āđ€āļ—āļ„āļ™āļīāļ„: Watercolorâ€Ēāļ‚āļ™āļēāļ”: 56 × 76 āļ‹āļĄ.
Aood Ampawa
thailand

Aood Ampawa

✉ïļ aoodampawa06@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Impression in the shapes, lines, and colors of nature. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #159
ThailandThailand
2026
The Capital

The Capital

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Kamol Thongkam
Thailand

Kamol Thongkam

✉ïļ kamol20551@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Night City In Thailand |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #160
ThailandThailand
2026
Marget
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Figures On The Move |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #161
thailandthailand
2026
Color
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Use Concentration, Lines And Colors, Stillness, And Tranquility To Achieve Beauty. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #162
thailandthailand
2026
Thung Kula
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Resisting Pressure Is The Power That Creates Work In The Dry Season In Thung Kula. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #163
thailandthailand
2026
Thai Fishing Boats

Thai Fishing Boats

āđ€āļ—āļ„āļ™āļīāļ„: Acrylicâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Sukit. Sukrakan
thailand

Sukit. Sukrakan

✉ïļ aud2499@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Represents The Lifestyle Of Local Fishing Boats In Southern Thailand. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #164
thailandthailand
2026
Power
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Power Of The Eyes Catching. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #165
thailandthailand
2026
Owl
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Nature And Habits Of Owls |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #166
thailandthailand
2026
Flower Of Filling

Flower Of Filling

āđ€āļ—āļ„āļ™āļīāļ„: Watercolor On Paperâ€Ēāļ‚āļ™āļēāļ”: 60 × 80 āļ‹āļĄ.
Perasin Prasanthong
thailand

Perasin Prasanthong

✉ïļ policeart88@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Watercolor And Design To Escape The Monotony |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #167
thailandthailand
2026
Landscape No.1
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"- |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #168
thailandthailand
2026
Boath Of The Dawn

Boath Of The Dawn

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic. On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Asanai Ruengkijkhajorn
thailand

Asanai Ruengkijkhajorn

✉ïļ seesunseenam@gmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"This work conveys the way of life of fishermen through images of boats moored in the harbor. It uses warm tones to convey the morning light at dawn. It represents the peace, simplicity, and energy to start a new day for coastal communities. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #169
thailandthailand
2026
Memories Amidst The Happiness Of Nature

Memories Amidst The Happiness Of Nature

āđ€āļ—āļ„āļ™āļīāļ„: Softoilpastel, Acrylic, Decupage On Texture With Wallputtyâ€Ēāļ‚āļ™āļēāļ”: 100 × 80 āļ‹āļĄ.
Sutthasinee Suwuttho
thailand

Sutthasinee Suwuttho

✉ïļ golfjob9988@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Goal Is To Convey The Love, Bond, And Warmth Of A Mother-Child Relationship Through The Use Of Cartoon Images Of Mother And Child As Symbols, Arranged In A Blissful Natural Setting. This Captures The Memories, Feelings Of Care, And Deep Love A Mother Feels For Her Child. The Imagery Serves As A Safe Space And A Space For Imagination, Allowing The Viewer To Experience The Warmth Of Family Love And Acceptance Of Their Role As A Mother, Which, Despite Its Exhaustion, Is Filled With Joy. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #170
thailandthailand
2026
Rose
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Rose |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #171
ThailandThailand
2026
My Home
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"I Love My Home |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #172
thailandthailand
2026
Sea
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Sunrise The Beauty Of The Morning Sea And My Impression. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #173
thailandthailand
2026
Terra Trace

Terra Trace

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 60 āļ‹āļĄ.
Nukoon Panyadee
thailand

Nukoon Panyadee

✉ïļ nukoonp@outlook.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Nature, impressions and inspiration for work |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #174
ThailandThailand
2026
Grow No.1,No.2

Grow No.1,No.2

āđ€āļ—āļ„āļ™āļīāļ„: Engob And Copperâ€Ēāļ‚āļ™āļēāļ”: 6 × 8 × 14 āļ‹āļĄ.
Teerapol Imjai
Thailand

Teerapol Imjai

✉ïļ teerapol.hero@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"Growth And Flourishing Of All Life Forms Start From The Minerals In Their Location, The Climate, The Seasons, And Chance. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #175
ThailandThailand
2026
The Existence Of Body

The Existence Of Body

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Chatmongkol Insawang
Thailand

Chatmongkol Insawang

✉ïļ chatmongkolins@gmail.com

ThailandThailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"The Perception Of The Body And Memory |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #176
ThailandThailand
2026
Born Again
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"It'S A Fully Grown Dragon That'S Being Reborn. It'S Like A Human Being'S Growth Where There'S A Period Of Self-Improvement, Of Self-Improvement, And Of New Opportunities That Come Into Life. Sometimes, These Opportunities Can Be Huge Choices That Make Me Feel Like I'M Being Reborn. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #177
thailandthailand
2026
Fantasy World -Bangkok

Fantasy World -Bangkok

āđ€āļ—āļ„āļ™āļīāļ„: Acrylicâ€Ēāļ‚āļ™āļēāļ”: 80 × 100 āļ‹āļĄ.
Liu Xian Biao
thailand

Liu Xian Biao

✉ïļ 850301399@qq.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"When I Arrived In Bangkok, It Felt As If I Had Stepped Into A World Of Imagination. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #178
ThailandThailand
2026
Our Mind
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"State Of Mind At A Given Moment |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #179
thailandthailand
2026
San Su

San Su

āđ€āļ—āļ„āļ™āļīāļ„: Acrylic On Canvasâ€Ēāļ‚āļ™āļēāļ”: 100 × 70 āļ‹āļĄ.
Han Saeng Gohn
thailand

Han Saeng Gohn

✉ïļ sslowboy@hanmail.net

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"San Su' Means Mountain And Water. I Draws Wrinkles Of Nature And Vilage In It, The South Korea. |"

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ—āļĩāđˆ #180
thailandthailand
2026
Nightmare (My Dad 1)

Nightmare (My Dad 1)

āđ€āļ—āļ„āļ™āļīāļ„: Mixed Mediaâ€Ēāļ‚āļ™āļēāļ”: 15 × 40 × 30 āļ‹āļĄ.
Nattapoom Meeyen
thailand

Nattapoom Meeyen

✉ïļ yanakida_royal@hotmail.com

thailandthailand

ðŸ‘Ļ‍ðŸŽĻ āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” âž”
āđāļ™āļ§āļ„āļ§āļēāļĄāļ„āļīāļ”āļœāļĨāļ‡āļēāļ™ / Curatorial Statement:

"L Had A Nightmare When My Father Was Diagnosed With Cancer. |"

Digital Guestbook & Signature Wall

āļŠāļĄāļļāļ”āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāđāļĨāļ°āļ„āļģāļ™āļīāļĒāļĄāļˆāļēāļāļœāļđāđ‰āļŠāļĄ

āļĢāđˆāļ§āļĄāļŠāđˆāļ‡āļ•āđˆāļ­āļ„āļ§āļēāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆ āļĨāļēāļĒāđ€āļ‹āđ‡āļ™ āđāļĨāļ°āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļāļģāļĨāļąāļ‡āđƒāļˆāđāļ”āđˆāļĻāļīāļĨāļ›āļīāļ™āđƒāļ™āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢ (0 āļ‚āđ‰āļ­āļ„āļ§āļēāļĄ)

āļāļģāļĨāļąāļ‡āđ‚āļŦāļĨāļ”āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļŠāļĄāļļāļ”āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄ...